My drypoints begin life as detailed pencil sketches before being overlaid and hand-etched on to the drypoint plate. The edition of Japanese gampi chine colle paper further enhances the organic nature of my work.

Quite often, other recognisable forms seem to emerge as the drawings are mirrored, elements of the human skeleton, faces and mysterious vessels.

The viewer is invited to explore and interpret these intricate structures, which are primarily a celebration of natures’ raw and delicate beauty.